Watching film favourites in IMAX offers viewers the chance to feel as close to a story as possible, going one step further with visual immersion to transport the viewer.
“Life is much more successfully looked at through a single window,” said F. Scott Fitzgerald in his 1925 novel The Great Gatsby – and when it comes to film, I couldn’t agree more, the “single window” being the big screen. Despite the rise of home streaming services, the cinema still thrives as a public space for one reason: its ability to immerse. IMAX is an exceptional example, as I was reminded last night at the Cinesphere in Toronto.
I’ve seen two films at the Cinesphere in the last year, and both experiences were cinematic treats. I should also note that both are among my all-time favourite movies: The Sound of Music (1965) and The Great Gatsby (2013). Rewatching these films on the big(ger) screen was a phenomenal exercise in 1) spectacle and 2) film criticism.
My family loves films. Throughout my life my parents have introduced me to a multitude of classic films, and we always revered IMAX as a special chance to see those classics larger than life. When my mother was in university, she got to meet with one of the creators of IMAX to learn about its inception. IMAX is actually a Canadian creation, distributed worldwide since the 1960s – and it has the power to transport viewers using large-scale visuals.
Take The Great Gatsby, for example. I saw it a couple of times (ahem, a few) in theatres, but that was six years ago now – and ever since then, I’ve only watched on television screens at home. Returning to the cinema to watch Gatsby last night was even more invigorating than I expected. Baz Luhrmann’s film is a highly visual, often dizzying romp through the 1920s and it takes some time to get into, but after the first half hour or so I was so absorbed that I didn’t even notice where I was or that I was actually watching a story from outside it. My friend and I delved so deep into discussion about the film and its execution of the titular 20th century literary novel that I’m still now recovering from the magnitude of such an intense viewing experience.
IMAX has the power to take you into the world it presents, through the mere sights and sounds of the experience but also in its creation itself. The IMAX projector allows films to be ten times larger than 35mm, with outstanding quality picture. Combine the sheer size of the screen with the sheer size of the Gatsby universe, and you’ve got yourself a winner. As viewers, we’re drawn deeply into the narrative through immersion, picking up details like never before: the nuances of each character’s expression, the ornate features of the sets, and cinematography as it pulls us further in.
As the film drew to a close last night, the audience was mesmerized – it’s been ages since I could hear a pin drop in a theatre like that. The weightiest scenes were magnetic in the sense that I felt like I was there; I got absorbed in Jay Gatsby’s parties, his gardens, or roaring along in his large yellow car. Watching The Sound of Music in IMAX was just as enticing, with the rolling hills and mountains of the Austrian landscape spilling before the audience. In IMAX, we’re immune to commonplace distractions that might interrupt at home; we’re fully surrounded by the action.
Essentially, IMAX can elevate an average movie night to a sublime experience, one that shows cinema at its best: taking us out of ourselves and into another universe. These innovations in media offer top notch escapism without even leaving our seats, and personally, I’m more than grateful for the chance to get swallowed up into a good story.